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Escaneados como Negativo Monocromo. Con negativo a color era surrealista lo sobresaturado que quedaban muchas fotos. Después de hacerlo de las dos maneras, a pesar de que buscaba saturación, me decanto por este tipo de escaneo, me parece que le da un tono más natural, más lindo para mi gusto!
Scanning as Monochrome Negative. The ressults with Color Negative settings were too much saturated in most of the photos ! After scanning my photos with both systems, I prefer this scanning settings. I think is more natural and nice !
Escaneados como Negativo Monocromo. Con negativo a color era surrealista lo sobresaturado que quedaban muchas fotos. Después de hacerlo de las dos maneras, a pesar de que buscaba saturación, me decanto por este tipo de escaneo, me parece que le da un tono más natural, más lindo para mi gusto!
Scanning as Monochrome Negative. The ressults with Color Negative settings were too much saturated in most of the photos ! After scanning my photos with both systems, I prefer this scanning settings. I think is more natural and nice !
I had a crazy project in mind... let me stress it again: a CRAZY project! I contacted as many Lomographers in London as I could and I went to meet them and take their pictures with one (or more) of my analogue cameras. The idea? Photographing the photographers and introducing the people behind the lens to the Community - as well as having a privileged pick on their personal styles. :) I will have to say (again) a big THANK you to giorgious and julietalucca - the stars of this third album of the series. One more to come! :)
After shooting downstairs we wondered to the projection area where I got a chance to take HP5 for a spin and I really dig the high contrast look of the shots with it. Yes, XP2 might be more flexible but when HP5 cooks it cooks. More unreasonable and inexplicable parallax errors but enough good shots that I am willing to call the series a victory.
After shooting downstairs we wondered to the projection area where I got a chance to take HP5 for a spin and I really dig the high contrast look of the shots with it. Yes, XP2 might be more flexible but when HP5 cooks it cooks. More unreasonable and inexplicable parallax errors but enough good shots that I am willing to call the series a victory.
After shooting downstairs we wondered to the projection area where I got a chance to take HP5 for a spin and I really dig the high contrast look of the shots with it. Yes, XP2 might be more flexible but when HP5 cooks it cooks. More unreasonable and inexplicable parallax errors but enough good shots that I am willing to call the series a victory.
I love, love, love Lomo's Redscale film. I really do. I wanted to do a set with JoAnn that would highlight this versatile and extraordinary medium and all that it can do in the realm of glamour and nude portraiture. So I fed it lots of reds, yellows and greens at golden hour and couldn't be happier with the results. I got the playful, warm happy vibe I want from my portraiture and it was definitely in part due to this rad film.
I love, love, love Lomo's Redscale film. I really do. I wanted to do a set with JoAnn that would highlight this versatile and extraordinary medium and all that it can do in the realm of glamour and nude portraiture. So I fed it lots of reds, yellows and greens at golden hour and couldn't be happier with the results. I got the playful, warm happy vibe I want from my portraiture and it was definitely in part due to this rad film.
Goofing off one night with the new cat I decided to take pictures of him. After our Yoshi passed away in November we learned how important it is to use these cameras to legitimately document and preserve images of family and pets. My favorite of the lot? The one where Toshiro is very close and out of focus and Go-Go looks on from the backgroud. It's Cat-a-palooza!
