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If only we were two then things could be easier -- we'd finish tasks earlier, discover more places, and meet more people in this world. But then, that's a magic we still can't accomplish, that's why the illusion of double exposing is here! (POTD 05.05.12)
Do you like overcast weather? I prefer sunny days for going out and shooting films, however, I also do like overcast because it's the best time to shoot with redscale! I love shooting in redscale, and in this article I'll let you in on secrets for how to master shooting in redscale in overcast weather!
Now that you already got acquainted with the different film formats you'll most likely encounter today, it's time for us to show you how to do one of the best tricks with film: making a redscale film out of any 35 mm roll!
Film swap with @robertofiuza from Portugal.
Roberto shot the first layer, i've done the second.
Thanks to his wonderful niece and nephew for their perfect acting in front of the camera !
Visit his great home at http://www.lomography.com/homes/robertofiuza
Film swap with @robertofiuza from Portugal.
Roberto shot the first layer, i've done the second.
Thanks to his wonderful niece and nephew for their perfect acting in front of the camera !
Visit his great home at http://www.lomography.com/homes/robertofiuza
Film swap with @robertofiuza from Portugal.
Roberto shot the first layer, i've done the second.
Thanks to his wonderful niece and nephew for their perfect acting in front of the camera !
Visit his great home at http://www.lomography.com/homes/robertofiuza
First attempt at some double exposures on my Mamiya TLR. Shot with a tripod and cable release on Fuji Velvia 50 iso, with the camera set to 25. Most of the images were overexposed, so I threw away the color channels and scanned the infrared channel instead. Keeping the images black and white was the only way to retain an acceptable level of detail. Fingers crossed for better results next time.
First attempt at some double exposures on my Mamiya TLR. Shot with a tripod and cable release on Fuji Velvia 50 iso, with the camera set to 25. Most of the images were overexposed, so I threw away the color channels and scanned the infrared channel instead. Keeping the images black and white was the only way to retain an acceptable level of detail. Fingers crossed for better results next time.
First attempt at some double exposures on my Mamiya TLR. Shot with a tripod and cable release on Fuji Velvia 50 iso, with the camera set to 25. Most of the images were overexposed, so I threw away the color channels and scanned the infrared channel instead. Keeping the images black and white was the only way to retain an acceptable level of detail. Fingers crossed for better results next time.
We live in a island so we have lots of seawater, but we really appreciate having fresh and running water every day because it isn´t very abundant here.
But when I really really need any water is after a hard and long night, and I know how lucky I am to have a refreshing swin in the sea anyplace near home!!
Photo of the day in lomography.com on September the 22nd 2010
Visit the LC-A+ Album too: http://www.lomography.es/homes/susielomovitz/albums/1971738-juansupergen-amp-carmengraphy-wedding-lc-a-plus - Fotos de @horaciorv y @susielomovitz ;).
