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From the Film Soup project. Upper half of the lens was masked with a splitzer. See the tipster article about this technique. http://www.lomography.com/magazine/tipster/2013/02/27/lets-cook-the-film-the-recipe-of-film-soup
From the Film Soup project. Upper half of the lens was masked with a splitzer. See the tipster article about this technique. http://www.lomography.com/magazine/tipster/2013/02/27/lets-cook-the-film-the-recipe-of-film-soup
Ready for the latest Lomographic Film sensation? We have some fantastic news for you! We're excited to introduce you to our latest emulsion - LomoChrome Purple. It's an awesome color negative film which gives naturally infrared results! Limited stock is available for pre-order, in 35mm and 120 formats. Delivery is guaranteed in July 2013 for most countries.
Some pics from my trip over to the abandoned Akron Rubberbowl and around Akron, Ohio- come check out the article that I wrote about my trip here- http://www.lomography.com/magazine/locations/2012/10/02/an-analogue-adventure-into-minor-league-sports-part-four-akron-rubber-bowl
« Pourquoi les humains ne volent pas comme les oiseaux?»
( A. Ostrovsky « L’orage »)
...Ainsi pensait Aigul en se promenant au bord du fleuve Néva quand je l’ai photographiée. Mais les pigeons ne prêtaient aucune attention à cette fille, ils s’occupaient de leurs affaires. Il y a des jours où elle envie aux beaux oiseaux leur liberté... Et l’idée lui vient très souvent de prendre son élan, de lever les bras et de s’envoler...
L’humanité a toujours essayé d’inventer des objets volants et enfin elle a réussi. Même les grands mythes grecs en parlent: «Le vol d’Icare» etc... Cependant, l’avion ne donne pas les mêmes sensations que le vol des oiseaux.
Et on aimerait beaucoup planer au-dessus de la terre, voler où l’on veut, traverser les océans et découvrir le monde entier. Mais je comprends bien que c’est irréel, que jamais l’homme ne pourra voler comme l’oiseau. Mais la vie est tout de même magnifique et avec cette idée nous nous sommes rendues ensemble, rêveuses et légères, dans le centre historique de St. Petersbourg pour l’admirer...
You're probably wondering what's the difference between "pushing", "pulling", or "cross-processing" film. Here are some explanations plus visual samples to help you understand what these terms mean!
Exposing both sides of the film (EBS).
I shot on correct(normal) side first in a sunny/bright day, at ISO400(ISO800 film inside). Below half of the lense was masked with a splitzer. After finished a roll, reverse the film (in a dark-room). Then start shooting on redscale side in a cloudy/rainy day, at ISO200. Upper half was masked with a splitzer. The order of each location is precisely the same as 1st shots. I took notes in details about locations and shot all places with iPhone, to remember locations. Need patience, concentration, and accuracy for this challenge. Plus must be careful with 'gaps' between frames. Have a look at my article about this technique: http://www.lomography.com/magazine/tipster/2013/01/14/tipster-how-to-take-symmetrical-images-with-exposing-both-sides-of-the-film-ebs
Dolphins are swimming in the early spring sky.
Shot dolphins first at an aquarium. After finished whole a roll I set it again into LC-A and then start shooting at an amusement park. There are only a few nice results and this is the best one. Tough challenge but worth trying :)
Exposing both sides of the film (EBS).
I shot on correct(normal) side first in a sunny/bright day, at ISO400(ISO800 film inside). Below half of the lense was masked with a splitzer. After finished a roll, reverse the film (in a dark-room). Then start shooting on redscale side in a cloudy/rainy day, at ISO200. Upper half was masked with a splitzer. The order of each location is precisely the same as 1st shots. I took notes in details about locations and shot all places with iPhone, to remember locations. Need patience, concentration, and accuracy for this challenge. Plus must be careful with 'gaps' between frames. Have a look at my article about this technique: http://www.lomography.com/magazine/tipster/2013/01/14/tipster-how-to-take-symmetrical-images-with-exposing-both-sides-of-the-film-ebs
Expose lower half first, and set a tripod upside down and expose upper half in the same way as 1st shot.
To turn tripod 180 degrees, I used two panheads.
About 10 seconds each. Using a cable release and black adhesive tape (to mask the light sensor of LC-A+). Vivid blue or purple colours are by trucks decorated with light bulbs. Needed patience and concentration...
By now you've all come across community Member, and LC-A star, hodachrome, or at least seen his surreal multiple exposure photos. Dolphins cursing through the sky, "Inceptional" views, and ferris wheels that look so grand and magnificent that you forget their function and treat them as a monument built for the God of photography. Let hodachrome tell you how to get the film deity to smile upon you!
My best friend came home after six years straight in Winnipeg. Took her to some of my fave new places around Manila which was a great way to test some new cameras and film! :-) Miss her already. __________ http://www.lomography.com/magazine/reviews/2012/09/11/solid-shots-with-solid-gold-200
